The End of the New Country, the album

It is with much pride, conceit, vanity, and egotism that we announce our debut album The End of the New Country will be available on the mighty Midriff Records come Oct 14. Much to our astonishment, The End of the New Country was picked up early by the extremely, extremely intelligent and all-around-awesome Robin Hilton at NPR, who gave it a pretty positive review. Thus spake National Public Radio:

September 8, 2008 – A self-proclaimed “supergroup of unknown musicians,” Get Help makes gloomy but thoughtful guitar-rock that would fit comfortably in the post-punk era of the late ’70s and early ’80s. Get Help’s two primary members, Tony Skalicky and Mike Ingenthron, were in elementary school when bands like Joy Division were making music. But on their new CD, The End of the New Country, the duo cribs from post-punk with enough honesty and talent to keep from sounding like a cheap knock-off.

Skalicky and Ingenthron, who write and record in New York, take turns on lead vocals. Skalicky unabashedly channels Joy Division’s Ian Curtis (or Interpol’s Paul Banks), and for some listeners, that might be too much of a turnoff to get through the whole album. But Skalicky’s time at the mic fuels the album’s most compelling and memorable moments.

The End of the New Country opens on a somber note with “Traveler’s Shave Kit.” Plaintive guitar strums, gentle rhythms, a little slide guitar and mellotron set an appropriate tone for an album that scarcely cracks a smile over the course of 15 tracks.

The album’s title cut, like much of the CD, is full of resignation, as Skalicky sings about a world on the brink of collapse, with mobbed streets lined by burning buildings. “I think we’ve reached the end of the new country,” he sings. “And I think we know the rest of its history.” It’s grim, to be sure.

But it could also signal a new beginning: By the end of the album, with the dramatic squalls of feedback on the closer “Growing Circles,” the band seems to say that everything is going to be all right. “I am searching in growing circles,” Skalicky sings. “And I will find you, I am certain.”

Despite its darkness, The End of the New Country isn’t a downer, though it’s undeniably brooding and introspective. But there’s enough inspired beauty in the lyrics — and consistently impressive guitar work — to make the music uplifting at times.

When not working as Get Help, Skalicky is the singer and guitarist for the Boston-based group The Beatings, while Ingenthron is in the New York group Strikes Again. The two collaborated on the songs for The End of the New Country over the Internet, with help from Rob Machold, William Scales, Daniel Parlin, Dennis Grabowski and Gene DiAvolio.

Further readings, also by extraordinarily intelligent and wonderful people:
Clicky Clicky Music
Hard Times

The End of the New Country contains many of the lo-fi doodlings featured on this blog, but we took our skeletal laptop recordings into the studio and rebuilt them from the ground up, recording just about everything over again until we reached a Foo Fighterish plain of production value. We’ve posted some mp3s below, and there some new tracks on our Myspace page, where they shall stream for all eternity.

Now, to make the most of this blessed event, we are performing live several times before we retreat into our dens to hibernate:

Sunday, Sept 28, 9:30, $8
PA’s Lounge
345 Somerville Ave.
Somerville, Mass.
Mike and I will be performing an acoustic set as a duo.

with: These United States (D.C.)
Grampall Jookabox (Asthmatic Kitty Records/ Indianapolis)
These United States also feature our friend Robby Catholic of the Fanged Robot, who our handful of readers may recall from an earlier post on this very blog.
Friday, Oct 10, 10pm
158 Ludlow St.
Come down to the LES to see Get Help in all its glory, with Will, Dan, and Gene rounding out the band. We may even crack a smile or two.
Wed, Oct 15, 10pm
1222 Commonwealth Ave. (corner of Harvard and Commonwealth)
Allston, Mass 02134
Same story as above. Full band, some eye contact, glimmers of onstage joy.
Thank you for all your support and patience, we hope to see you there.

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